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Weekly Parashah |
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| Torah: Num 30:2-32:42 | Haftara:
Jer .2:4–28, 3:4 |
Brith Chadashah: Mt. 23:1– 25:46 luke 13:1-9 |
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| Matot (Tribes) |
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Scripture: |
Numbers 30:2 - 32:42
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Torah |
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2 Whenever a man makes a vow to Adonai or swears an oath to obligate himself by a pledge, he is not to violate his word but do everything coming out of his mouth.[a] 3 “Suppose a woman in her youth vows to Adonai or obligates herself by a pledge in her father’s house. 4 If her father should hear her vow or her pledge with which she obligated herself and her father says nothing to her, all her vows and every pledge by which she has obligated herself will stand. 5 But if her father should forbid it on the day of his hearing it, none of her vows or pledges by which she has obligated herself will stand. Adonai will forgive her because her father has forbidden her. 6 “Suppose she should marry, after her vow or a rash promise of her lips by which she obligated herself. 7 Now if her husband hears about it but says nothing to her on the day he hears about it, her vows will stand and her pledges by which she has obligated herself will stand. 8 But if her husband should hear about it and on the day he hears it he forbids it, he thereby nullifies her vow and her rash promise by which her lips have obligated her, and Adonai will forgive her. https://www.biblegateway.com/passage/?search=Num.+30%3A2-32%3A42&version=TLV |
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Scripture: |
Jeremiah 2 : 4 – 28, 3:4
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Haftarah |
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4 Hear the word of Adonai, O house of Jacob and all the families of the house of Israel. 5 Thus says Adonai: “What fault did your fathers find in Me It is a declaration of Adonai. https://www.biblegateway.com/passage/?search=Jer+.2%3A4%E2%80%9328&version=TLV |
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Scripture: |
Matthew 23 : 1 – 25 : 46
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Brit Chadashah |
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Seven Woes23 Then Yeshua spoke to the crowds and to His disciples, 2 saying, “The Torahscholars and Pharisees sit on the seat of Moses. 3 So whatever they tell you, do and observe. But don’t do what they do; for what they say, they do not do. 4 They tie up heavy loads, hard to carry,[a] and lay them on men’s shoulders; but they themselves aren’t willing to lift a finger to move them. 5 All their works they do to be noticed by men. They make their tefillin wide and their tzitziyot long. [b] 6 They love the place of honor at feasts, the best seats in the synagogues, 7 greetings in the marketplaces, and to be called rabbi by men. 8 “But you are not to be called rabbi; for One is your Teacher, and you are all brothers. 9 And call no man on earth your father; for One is your Father, who is in heaven. 10 Nor are you to be called teachers; for One is your Teacher, the Messiah. 11 But the greatest among you shall be your servant. 12 Whoever exalts himself shall be humbled, and whoever humbles himself shall be exalted. https://www.biblegateway.com/passage/?search=Mt.+23%3A1%E2%80%93+25%3A46&version=TLV Luke 13 : 1 - 913 Now there were some present at the same time who told Yeshua about the Galileans whose blood Pilate had mixed with their sacrifices. 2 He answered and said to them, “Do you suppose that these Galileans are worse sinners than the rest of the Galileans because they have suffered these things? 3 No, I tell you! But unless you repent, you all will perish the same way. 4 “Or those eighteen upon whom the tower in Siloam fell and were killed, do you suppose that they are worse sinners than all the people living in Jerusalem? 5 No, I tell you! But unless you repent, you all will perish the same way. 6 Then Yeshua began telling this parable: “A man had a fig tree he had planted in his vineyard, and he came looking for fruit on it and found none. 7 So he said to the gardener, ‘Indeed, for three years I‘ve come searching for fruit on this fig tree and found none. Remove it! Why does it use up the ground?’ 8 “But answering, the gardener said to him, ‘Master, leave it alone for this year also, until I dig around it and apply fertilizer. 9 And if it bears fruit, good. But if not, cut it down.’” https://www.biblegateway.com/passage/?search=luke+13%3A1-9&version=TLV |
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Parashah in 60 seconds |
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Music Styles Contemporary Worship Music
Styles
On this radio station you will find the following music styles;Contemporary Worship Music (CWM) (Praise and Worship Music)
Contemporary worship music (CWM) is a loosely defined genre of Christian music used in contemporary worship. It has developed over the past sixty years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It is becoming a common genre of music sung in Western churches, particularly in Pentecostal churches, both denominational and nondenominational. Also many non-Charismatic Protestant Churches use this type of music. Some do so exclusively. Others have services that are just traditional along with services that are just contemporary. Others simply mix this type of music in with traditional. Some Protestant churches avoid this music and remain traditional. Also, Roman Catholic churches are using this type of music in some parishes. Some mix it in with more traditional music; others have certain masses with just contemporary worship music along with traditional masses; others only use contemporary; many others steer clear of contemporary worship and stick with traditional.History and development
In the early 1950s, the Taizé Community in France started to attract youths from several religious denominations with worship hymns based on modern melodies.
In the 1950s and 1960s the Christian Church began to place particular emphasis on reaching to the youth. Christian Unions in university environments hosted evangelistic talks and provided biblical teaching for their members, Christian cafes opened with evangelistic aims, and church youth groups were set up. Amateur musicians from these groups began playing Christian music in a popular idiom. Some Christians felt that the Church needed to break from its stereotype as being structured, formal and dull to appeal to the younger generation. By borrowing the conventions of popular music, the antithesis of this stereotype, the Church restated the claims of the Bible through Christian lyrics, and thus sent the message that Christianity was not outdated or irrelevant. The Joystrings were one of the first Christian pop groups to appear on television, in Salvation Army uniform, playing Christian beat music. The Jesus People in America also had particular influence, and began to create their own musical subculture, sometimes referred to as Jesus music— essentially hippie-style music with biblical lyrics. This Jesus music gradually bifurcated into Christian rock (music played for concerts) and 'praise music' (music for communal worship).
Churches began to adopt some of these songs and the styles for corporate worship. These early songs for communal singing were arguably the first examples of contemporary worship music, and were characteristically simple, 'Youth Praise', published in 1966, was one of the first and most famous collections of these songs and was compiled and edited by Michael Baughen and published by the Jubilate Group.
As of the early 1990s, songs such as "Lord, I Lift Your Name on High", "Shine, Jesus, Shine" and "Shout to the Lord" had been accepted in many churches. Integrity Media, Maranatha! Music and Vineyard were already publishing newer styles of music. Supporters of traditional worship hoped the newer styles were a fad, while younger people cited Psalms 96:1, "Sing to the Lord a new song". Prior to the late 1990s, many felt Sunday morning was a time for hymns, and young people could have their music on the other six days. A "modern worship renaissance" helped make it clear any musical style was acceptable if true believers were using it to praise God. The changes resulted from the Cutting Edge recordings by the band Delirious?, the Passion Conferences and their music, the Exodus project of Michael W. Smith, and the band Sonicflood. Contemporary worship music became an integral part of Contemporary Christian music.[1]
More recently songs are displayed using projectors on screens at the front of the church, and this has enabled greater physical freedom, and a faster rate of turnover in the material being sung. Important propagators of CWM today include Hillsong, Vineyard, Bethel Music and Soul Survivor.
Theology and lyrics
As CWM is closely related to the charismatic movement, the lyrics and even some musical features reflect its theology. In particular the charismatic movement is characterised by its emphasis on the Holy Spirit, personal encounter and relationship with God, and agape.
