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Weekly Parashah |
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| Torah: Gen. 41:1–44:17 | Haftara: Zec. 2:14–4:7 | Brit Chadashah: Lk. 4:16–30 Rom. 10:1-13 |
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| Miketz (At the end of ) מִקֵּץ |
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Scripture: |
Genesis 41:1–44:17 |
Torah |
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Exalted by Pharaoh41 Now at the end of two whole years, Pharaoh was dreaming. Behold, there he was standing by the Nile. 2 Then behold, there were seven cows, good-looking and beefy, and they grazed in the reeds. 3 Then behold, there were seven other cows coming up after them from the Nile, ugly and emaciated, and they stood beside the cows at the edge of the Nile. 4 Then the ugly emaciated cows ate the seven good-looking beefy cows—and Pharaoh woke up. https://www.biblegateway.com/passage/?search=Gen.+41%3A1%E2%80%9344%3A17&version=TLV |
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Scripture: |
Zechariah 2:14–4:7
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Haftarah |
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14 “‘Sing and rejoice, O daughter of Zion! For behold, I am coming and I will live among you’[a]—it is a declaration of Adonai. 15 ‘In that day many nations will join themselves to Adonai and they will be My people and I will dwell among you.’ Then you will know that Adonai-Tzva’ot has sent me to you. 16 Adonai will inherit Judah as His portion in the holy land and will once again choose Jerusalem. 17 Be silent before Adonai, all flesh, for He has aroused Himself from His holy dwelling.”Joshua the Kohen Gadol3 Then he showed me Joshua the kohen gadol standing before the angel of Adonai and the satan[b], standing at his right hand to accuse him. [c] 2 Adonai said to the satan, ‘Adonai rebukes you, the satan. Indeed Adonai, who has chosen Jerusalem, rebukes you.[d] Is not this man a brand plucked out of the fire?’3 Now Joshua was wearing filthy garments and standing before the angel 4 who answered and spoke to those standing before him saying, ‘Remove the filthy garments from him.’ Then to Joshua he said, ‘See, I have removed your iniquity from you and will dress you with fine clothing.’[e] https://www.biblegateway.com/passage/?search=Zec.+2%3A14%E2%80%934%3A7&version=TLV |
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Scripture: |
Lk. 4:16–30
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Brit Chadashah |
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16 And He came to Natzeret, where He had been raised. As was His custom, He went into the synagogue on Shabbat, and He got up to read. 17 When the scroll of the prophet Isaiah was handed to Him, He unrolled the scroll and found the place where it was written, 18 “The Ruach Adonai is on me, because He has anointed me to proclaim Good News to the poor. He has sent me[a] to proclaim release to the captives and recovery of sight to the blind, to set free the oppressed, 19 and to proclaim the year of Adonai’s favor.”[b] 20 He closed the scroll, gave it back to the attendant, and sat down. All eyes in the synagogue were focused on Him. 21 Then He began to tell them, “Today this Scripture has been fulfilled in your ears.” 22 All were speaking well of Him and marveling at the gracious words coming out of His mouth. And they were saying, “Isn’t this the son of Joseph?” 23 But He said to them, “Doubtless you will say to Me this proverb, ‘Doctor, heal yourself!’ and ‘What we have heard was done at Capernaum, do as much here also in your hometown.’” 24 But He said, “Truly, I tell you, ‘No prophet is accepted in his own hometown.’ 25 But with all truthfulness I say to you, that there were many widows in Israel in the days of Elijah, when heaven was closed for three and a half years and there came a great famine over all the land. 26 Elijah was not sent to any of them, but only to Zarephath in the land of Sidon, to a widowed woman. [c] 27 There were many with tzara’at in Israel in the time of Elisha the prophet, and none of them were purified apart from Naaman the Syrian.”[d] https://www.biblegateway.com/passage/?search=Lk.+4%3A16%E2%80%9330&version=TLV Romans 10 : 1 – 13Misdirected Zeal10 Brothers and sisters, my heart’s desire and my prayer to God for Israel is for their salvation. 2 For I testify about them that they have zeal for God—but not based on knowledge. 3 For being ignorant of God’s righteousness and seeking to establish their own, they did not submit themselves to the righteousness of God. 4 For Messiah is the goal[a] of the Torah as a means to righteousness for everyone who keeps trusting.5 For Moses writes about the righteousness that is based on Torah, “The man who does these things shall live by them.” [b] 6 But the righteousness based on faith speaks in this way:“Do not say in your heart,[c] ‘Who will go up into heaven?’[d] (that is, to bring Messiah down), 7 or, ‘Who will go down into the abyss?’[e] (that is, to bring Messiah up from the dead).”8 But what does it say?“The word is near you, in your mouth and in your heart”[f] —that is, the word of faith that we are proclaiming: 9 For if you confess with your mouth that Yeshua is Lord, and believe in your heart that God raised Him from the dead, you will be saved. 10 For with the heart it is believed for righteousness, and with the mouth it is confessed for salvation. https://www.biblegateway.com/passage/?search=Rom.+10%3A1-13&version=TLV |
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Parashah in 60 seconds |
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Music Styles Contemporary Worship Music
Styles
On this radio station you will find the following music styles;
Contemporary Worship Music (CWM) (Praise and Worship Music)
Contemporary worship music (CWM) is a loosely defined genre of Christian music used in contemporary worship. It has developed over the past sixty years and is stylistically similar to pop music. The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It is becoming a common genre of music sung in Western churches, particularly in Pentecostal churches, both denominational and nondenominational. Also many non-Charismatic Protestant Churches use this type of music. Some do so exclusively. Others have services that are just traditional along with services that are just contemporary. Others simply mix this type of music in with traditional. Some Protestant churches avoid this music and remain traditional. Also, Roman Catholic churches are using this type of music in some parishes. Some mix it in with more traditional music; others have certain masses with just contemporary worship music along with traditional masses; others only use contemporary; many others steer clear of contemporary worship and stick with traditional.
History and development
In the early 1950s, the Taizé Community in France started to attract youths from several religious denominations with worship hymns based on modern melodies.
In the 1950s and 1960s the Christian Church began to place particular emphasis on reaching to the youth. Christian Unions in university environments hosted evangelistic talks and provided biblical teaching for their members, Christian cafes opened with evangelistic aims, and church youth groups were set up. Amateur musicians from these groups began playing Christian music in a popular idiom. Some Christians felt that the Church needed to break from its stereotype as being structured, formal and dull to appeal to the younger generation. By borrowing the conventions of popular music, the antithesis of this stereotype, the Church restated the claims of the Bible through Christian lyrics, and thus sent the message that Christianity was not outdated or irrelevant. The Joystrings were one of the first Christian pop groups to appear on television, in Salvation Army uniform, playing Christian beat music. The Jesus People in America also had particular influence, and began to create their own musical subculture, sometimes referred to as Jesus music— essentially hippie-style music with biblical lyrics. This Jesus music gradually bifurcated into Christian rock (music played for concerts) and 'praise music' (music for communal worship).
Churches began to adopt some of these songs and the styles for corporate worship. These early songs for communal singing were arguably the first examples of contemporary worship music, and were characteristically simple, 'Youth Praise', published in 1966, was one of the first and most famous collections of these songs and was compiled and edited by Michael Baughen and published by the Jubilate Group.
As of the early 1990s, songs such as "Lord, I Lift Your Name on High", "Shine, Jesus, Shine" and "Shout to the Lord" had been accepted in many churches. Integrity Media, Maranatha! Music and Vineyard were already publishing newer styles of music. Supporters of traditional worship hoped the newer styles were a fad, while younger people cited Psalms 96:1, "Sing to the Lord a new song". Prior to the late 1990s, many felt Sunday morning was a time for hymns, and young people could have their music on the other six days. A "modern worship renaissance" helped make it clear any musical style was acceptable if true believers were using it to praise God. The changes resulted from the Cutting Edge recordings by the band Delirious?, the Passion Conferences and their music, the Exodus project of Michael W. Smith, and the band Sonicflood. Contemporary worship music became an integral part of Contemporary Christian music.[1]
More recently songs are displayed using projectors on screens at the front of the church, and this has enabled greater physical freedom, and a faster rate of turnover in the material being sung. Important propagators of CWM today include Hillsong, Vineyard, Bethel Music and Soul Survivor.
Theology and lyrics
As CWM is closely related to the charismatic movement, the lyrics and even some musical features reflect its theology. In particular the charismatic movement is characterised by its emphasis on the Holy Spirit, personal encounter and relationship with God, and agape.
